Lessons

1 Pentatonic Minorscale

• 1.1 Minorscale over Minor-seventh chord
• 1.1 Play With Michael
• 1.2 Am pentatonic over cmaj7
• 1.3 Bm pentatonic over Cmaj7
• 1.4 Em pentatonic over Cmaj7
• 1.5 Play With Michael: Am/Bm/Em Pentatonic
• 1.6 Am/Bm/Em Pentatonic mixed over Cmaj7
• 1.6 Play With Michael
• 1.7 II-V-I with pentatonic minorscale
• 1.7 Play With Michael
• 1.8 Turnaround with pentatonic minorscale
• 1.8 Play With Michael

2 Minor Blues Scale

• 2.1 Minor Bluesscale over Am7-Vamp
• 2.2 Minor-Bluesscale over Dom7-chord
• 2.3 Minor-Bluesscale over I - IV
• 2.4 II-V-I Minorblues with Minor-Bluesscale
• 2.5 Turnaround with Minor-Bluesscale

3 Major Scale

• 3.1 Presentation of the modes
• 3.2 Ionian
• 3.3 Dorian
• 3.4 Phrygian
• 3.5 Lydian
• 3.6 Mixolydian
• 3.7 Aeolian
• 3.8 Locrian
• 3.9 Transfer of the Major Scale to the fretboard
• 3.10 Example from practice
• 3.11 Intervalic design

4 Right Hand / Chord Voicings

• 4.1 Right Hand
• 4.1 Right Hand #2
• 4.2 Chord Voicings / Chord Jam
• 4.2 Chord Jam #2

5 Modal Accompaniments

• 5.1 German: Creative Accompaniment for Dom7 Tunes
• 5.2 English: Creative Acompaniment for Dom 7 Tunes
• 5.3 Creative Acompaniment for Min 7 Tunes Part 1
• 5.4 Creative Acompaniment for Min 7 Tunes Part 2

6 Triad Combinations

• 6.1 Triad Combinations Minor7
• 6.2 All Stringsets
• 6.3 Alternativ fingerings
• 6.4 Triad Combinations - Play with Michael
• 6.5 Triad Combinations - Major 7
• 6.6 All Stringsets Major
• 6.7 Alternativ fingerings - Major
• 6.8 Play with Michael

7 Improvisation concepts for Dom7 Chords

• 7.1 solo coloring options with the pentatonic scale
• 7.2 Solo coloring options with the Blues Scale
• 7.3 Solo coloring options with the mixolydian Scale
• 7.4 Solo coloring options with the mixolydian #11 Scale
• 7.5 Solo coloring options with Triads #11
• 7.6 Solo coloring options with the Whole Tone Scale
• 7.7 Play with Michael - Dom7
• 7.8 Tipps und Tricks /Examples

8 Harmonic Minor-Scale

• 8.1 Introduction of the harmonic minor scale
• 8.2 Transfer of the Scale to the freatboard
• 8.3 Harmonisation of the harmonic minor scale
• 8.4 Play with Michael
• 8.5 Cmj7
• 8.6 D-7/b5
• 8.7 Ebj7#5
• 8.8 G7/#5
• 8.9 B dim
• 8.10 Harmonic minor in functional harmonics
• 8.11 Chordprogression w/o I-Chord (Part1)
• 8.12 Chordprogression without I-Chord (Part 2)

9 Melodic Minorscale

• 9.1 Introduction of the melodic minorscale
• 9.2 Transfer the scale to the freatboard
• 9.3 Harmonisation
• 9.4 Play with Michael
• 9.5 Modes
• 9.6 ...Ebj7#5 (lydian augmented)
• 9.7 ...F7/9b5 (mixolydian #5)
• 9.8 ...G7#5 (mixolydian b13)
• 9.9 ...A-7/b5 (locrian 9)
• 9.10 ...B7#9 (altered scale)

10 II-V-I Connection

• 10.1 V-Chord
• 10.2 Scale Connection
• 10.3 Colouring the II.-Chords
• 10.4 Colouring the I.- Chords
• 10.5 Play with Michael
• 10.6 Variations, diatonic options
• 10.7 Alteration II. and V. Chords
• 10.8 Alteration I. Chords

11 Jazzin´up the Blues

• 11.1 Chords
• 11.2 Solo Part 1
• 11.3 Solo Part 2
• 11.4 Solo Part 3
• 11.5 Play with Michael

12 Basics

• 12.1 Intro
• 12.2 Voicing Variations
• 12.3 From Dominant 7 Chord to alt. Dominant
• 12.4 V – I Progression
• 12.5 II-V-I Connection with alt. V
• 12.6 Play with Michael
• 12.7 II – Chord Voicings
• 12.8 II–V–I Variations in F
• 12.9 I – Chord Variations
• 12.10 II-V-I in all variations
• 12.11 Turnarounds
• 12.12 Basic Blues Progression - Part 1
• 12.13 Basic Blues Progression - Part 2
• 12.14 ascending and descending chromatic movement
• 12.15 BBP with alt. Dom
• 12.16 BBP with sus Chords
• 12.17 BasicBluesProgression – two note comping

13 Standard Chord Progression

• 13.1 Standard Chord Progression Part 1
• 13.2 Standard Chord Progression Part 2
• 13.3 Standard Chord Progression Part 3
• 13.4 Standard Chord Progression Part 4
• 13.5 Standard Chord Progression Part 5
• 13.6 Michael plays all variations
• 13.7 Standard Chord Progression Part 6
• 13.8 Standard Chord Progression Part 7
• 13.9 Solo Concept

14 Lick Library

• 14.1 Lick Exercises Cmaj7
• 14.2 Lick Exercises Dm7
• 14.3 Lick Exercises G7
• 14.4 Lick Exercises: II-V-I
• 14.5 Lick Exercises: II -V(alt) - I

15 Advanced Blues

• 15.1 Progression in Bb
• 15.2 Play With Michael (Bb)
• 15.3 Enharmonic Extension
• 15.4 Comping Variations
• 15.5 Progression No. 2
• 15.6 Progression Variation
• 15.7 Play With Michael
• 15.8 Turnarounds

16 Stella in Detail - NEW!

• Introduction "Stella by Starlight"
• Analyse Bar 1-4
• Summary Bar 1-4
• Analyse Bar 5-8
• Summary Bar 1-8
• Analyse Bar 9-32
• Chordvariation Bar 1-8
• Chordvariation Bar 9-16
• Chordvariation Bar 17-24
• Chordvariation Bar 25-32

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